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        <title> - Poems for Jamaica</title>
            
        <link>http://thestory.org/archive/the_story_830_Poems_For_Jamacia.mp3</link>

        <description>Poetry about resilience and hope in the face of Jamaica's HIV crisis. also: listening back to the special inauguration series. </description>

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					<title>Poems for Jamaica</title>
					
					<link>http://thestory.org/archive/the_story_830_Poems_For_Jamacia.mp3</link>
					
					<description>&lt;h4 class="Heading"&gt;Poems for Jamaica&lt;/h4&gt;&lt;p class="imageleft"&gt;&lt;img class="image-left" src="resolveuid/abbea22160bd07f5dc657ae66173e052" alt="Kwame Dawes" height="100" width="100" /&gt;Kwame Dawes&lt;/p&gt;&lt;p&gt;This week, The National Black Theatre Festival kicks off in Winston-Salem, North Carolina. Poet Kwame Dawes will be there to perform his poetry set to music in a work called HOPE: Living and Loving with HIV in Jamaica.&lt;/p&gt;&lt;p&gt;In 2007, Kwame traveled to his homeland of Jamaica to write a series of commissioned articles on HIV/AIDS. The people he met told him their stories, and taught him about resilience, hope and possibility in the face of despair. Kwame was inspired to write his poetry, and says that poems can actually create empathy in a way that journalism can't. Janet Babin talks to Kwame about why Jamaicans with HIV are stigmatized, and how people can be brave and weak, angry and loving, all at the same time.&lt;/p&gt;&lt;ul&gt;&lt;li&gt;Learn more about how to attend &lt;a href="http://www.pulitzercenter.org/openitem.cfm?id=1573"&gt;Wisteria &amp;amp; Hope&lt;/a&gt;, Kwame's performance at the National Black Theater Festival&lt;br /&gt;&lt;/li&gt;&lt;li&gt;Learn more about &lt;a href="http://livehopelove.com/"&gt;Live Hope Love&lt;/a&gt;&lt;/li&gt;&lt;li&gt;Read Kwame Dawes' poetry &lt;a href="http://www.poetryfoundation.org/harriet/author/kdawes/"&gt;blog&lt;/a&gt;&lt;/li&gt;&lt;li&gt;Learn more about &lt;a href="http://www.pulitzercenter.org/"&gt;The Pulitzer Center on Crisis Reporting&lt;/a&gt;&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h2 align="left" class="Heading"&gt;&lt;a class="addbtn" href="http://www.publicradio.org/applications/formbuilder/user/form_display.php?form_code=608cc948ba9b" target="_self"&gt;Contact Us&lt;/a&gt;&lt;/h2&gt;&lt;br /&gt;&lt;h4&gt;dedicated to the proposition: one woman sings&lt;br /&gt;&lt;/h4&gt;&lt;p class="imageleft"&gt;&lt;img class="image-left" src="resolveuid/23adf8b5268982f57879346280cc7681" alt="Dr_-Bernice-Johns-Reagon_crop.jpg" height="100" width="100" /&gt;Dr. Bernice Johnson Reagon &lt;a title="Freedom Singers" href="resolveuid/c0cb9eee70cf85e5d15dc60a7b59f88c" target="_self"&gt;&amp;gt;&amp;gt;More&lt;/a&gt;&lt;/p&gt;&lt;p&gt;This week, we're listening back to the special series we aired around the time of the Presidential inauguration. When Barack Obama spoke from the steps of the Lincoln Memorial days before taking office, he recalled the words Dr. Martin Luther King, Jr. spoke at the March on Washington. Bernice Johnson-Reagon performed at the 1963 March on Washington with the Freedom Singers. The day before the march, they finished a gig in California and took a red-eye flight to D.C. Bernice says although she was not nervous, she was overwhelmed by the large number of people who decided to come to one place and take a massive stance against racism.&lt;/p&gt;&lt;ul&gt;&lt;li&gt;Hear other stories in the &lt;a href="../special-features/dedicated-to-the-proposition-the-march-to-equality-1"&gt;series&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;h2 align="left" class="Heading"&gt;&lt;a class="addbtn" href="http://www.publicradio.org/applications/formbuilder/user/form_display.php?form_code=608cc948ba9b" target="_self"&gt;Contact Us&lt;/a&gt;&lt;/h2&gt;</description>
					
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					<pubDate>Tue, 04 Aug 2009 05:00:00 </pubDate>
					
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